Ardour's Split Region function made it easy to define regions for copy and replacement. I used the same method to repair some bad chords, replacing the errors with sections copied from elsewhere in the piece. Since the melody is repeated it was easy to replace bad notes with simple copy/paste routines. The recorded tracks contained minor errors in timing, balance, and note selection, but I knew Ardour could take what was given and yield a much-improved version. The second take contained enough goodness to produce a finished rendition, given a little polish and correction. The first take was their first time recording anything, and it suffered predictably from too many nervous errors. They were enthusiastic, but due to limited time they were able to record only two takes. The melodic interpretation and extended harmonies come from the boys' own invention.Īfter we ironed out some difficulties in the arrangement I asked the brothers if they'd like to record it. Readers should note that the original sheet-music was simple and direct, with no colorful harmonization. They returned the following week with the arrangement recorded for this project. I showed them the melody and the basic harmonies, then sent them home to create their own take on the song. The sheet was arranged for vocal with simple piano accompaniment, but instead of arranging it for the boys I suggested that they do it themselves. In March of this year they brought in the sheet-music for a well-known Christian hymn titled Peace Like A River. The brothers enjoy a variety of musics, including gospel, jazz, and some pop styles. In addition to guitar-centric studies they've also picked up some arranging skills in their lessons, and I've introduced them to the basics of computer-based digital audio production techniques. I used them as test subjects for a new approach to teaching guitar, they responded well to the method, and they have developed into advanced students in a relatively short time. They are talented fellows, with backgrounds that include studies on piano, saxophone, and trumpet. and Cody Shank started studying guitar with me a little more than two years ago. None of them have ever seen anything like Ardour.īrothers A.J. They all have a lot of fun with applications like Audacity and Hydrogen, and of course Ardour always fascinates them. Some are preparing for auditions, some want to make CDs for family and friends, and a few want to acquire some experience with contemporary music technology. Recently I've been recording some of my students during their lessons. With those caveats out of the way we're ready to look into some projects made possible with Ardour 2.0. The remainder of this article is focused on using Ardour, so if you're not familiar with the jargon and terminology of the digital audio workstation you are well-advised to examine the manual and to study some of the results of a Google search for "digital audio basics". These features are perhaps the most requested additions, and both items are slated for love and attention during the upcoming summer months, thanks to financing from Google's Summer Of Code project.ĭetails regarding Ardour's availability, installation, and configuration can be found on the project's Web site, along with the program's manual (currently unfinished). Two desirable features are missing from that list: the ability to edit MIDI sequence data, and a mechanism for controlling and editing output intended for multi-speaker arrays (e.g. Support for VST (limited) and LADSPA audio processing plugins.Non-destructive editing with unlimited undo/redo.Among its more outstanding attractions we find : I've described each project in some detail, and each description includes a link to the final audio output.Īrdour continues its evolution into a full-featured open-source digital audio workstation. The following article profiles the new Ardour as I employed it for three projects, all involving the program in the processes of composition and arranging as well as the more typical tasks of recording and editing. This version is a significant improvement over the 0.99 series (1.0 was never released), with many new features and enhancements to performance and stability. I plan to review the distro in a future column, along with an update on the latest version of the venerable PlanetCCRMA, but in this entry I'm focused on another very exciting new release.Īrdour 2.0 is now available for download. I haven't had a chance to try it yet, but interested readers can peruse some installation screenshots or check out the latest news and information on the Ubuntu Studio Wiki. The eagerly-awaited Ubuntu Studio has been released, adding another entry into the expanding list of multimedia-optimized Linux distributions.
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